PHAIDON

Martin Parr: Jubilee Street Party, Elland, Yorkshire,1977

from 'Bad Weather'


Martin Parr


Edizioni:

Prezzo: USD$1,250.00



Look Inside
9780714842677-2
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PRINT
Silver gelatin print
Sheet size: 304 x 406 mm (12 x 16 inches)
Book case: 200 x 300 mm (7 7/8 x 11 7/8 inches)
Box: 331 x 436 mm (13 x 17 1/8 inches)
Printed in 2002 in an edition of 100 plus 5 artist's proofs
All copies are signed and numbered by Martin Parr
ISBN-13: 9780714842677
 
ABOUT THE PRINT

After graduating from Manchester Polytechnic, Parr and a group of his fellow photography graduates moved to the industrial Pennine town of Hebden Bridge, Yorkshire, where Parr seized the opportunity to witness the northern working class with all its idiosyncrasies and dwindling traditions: 'The chapels seemed to encapsulate everything that I was interested in, in terms of the traditional aspect of life in Yorkshire: decaying and declining, hanging on with great verve and principle and great belief in the significance of what they were doing.'

Jubilee Street Party Elland, Yorkshire 1977 illustrates the defiance of their subjects in continuing as they have always done, and demonstrating a tenacity that would later contrast starkly with the technicolour consumerist world that Parr captured in the 1980s.

SPECIAL EDITION BOOK IN SLIPCASE
Hardback
250 x 290 mm (9 7/8 x 11 3/8 inches)
352 pp
441 colour, 156 black and white illustrations
 
ABOUT THE BOOK

This Martin Parr (b.1952) retrospective is rich in the wit and colour for which Parr's work is well known, yet simultaneously offers the first ever serious assessment of the career of this major contemporary photographer.

Parr combines an urge to document with an attitude of incisive bemusement by social behaviour. Val Williams, distinguished writer and curator, considers Parr's later work - also his most famous - within the context of his full career. In so doing, she shows how Parr's subtle and striking photographs have highlighted political and social change over the last 30 years.


L'autore
'A splendidly deadpan observer' (Times Literary Supplement), Martin Parr has revitalized contemporary documentary photography with his own brand of robustness and variety. His photographs are above all a visual extravaganza of acute observation, wit, and colour. A pioneer of colour photography and an insightful commentator on the commercial culture of today, as well as domestic and social life, he has repositioned contemporary documentary photography. A member of Magnum since 1994, Parr has published over twenty books and been widely exhibited around the globe. He is arguably Britain's key contemporary photographer, with an unmistakable style, and an international following in the worlds of art, fashion and journalism.

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